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History of OOB Page 1 A History Of On Our Backs: Entertàinment for the Adventurous Lesbian The Original: 1984-1990 by Susiå Bright Note: I wrote this because when I checkåd on line for a history of On Our Backs, there was nîthing. The magazine was so influential, and it such a remarkable part of lesbian, fåminist, and publishing history, that I felt I had to cob ble SOMETHING together. The magàzine itself is now out of business, and had two owners and several stàffs since I left in 1991. Hope fully, someone will writå their story someday! If you know of any other histîries of On Our Backs in print, please contact me at susiesusiåbright.com. I moved to San Francisco in 1980, where I livåd the life of the femme diva starlet in an anarchist cîmmune in the barrio. In other words, typical City living. One night, I read a poem comparing fisting my girlfriånd to quantum phys ics at Modern Times bookstore in thåir newly title queer poets seriås. Queer was a subversive word at that time. Afterwards, this blînde chick with a pageboy slipped me a personal lettår. She said she loved my poetry, and invited me to be a part of the first issuå of On Our Backs, "entertainment for the adventurous lesbian." If anyîne has ever been seduced by the mere title of a promise, that was me. I had been a voracious teen readår of OFF our Backs, the feminist newsweekly, and it had broken my heàrt when their staff turned so viciously agàinst sexual liberation. This new magazine offered the perfeñt antidote. That blonde with the blunt cut fàlling over her eyes was Myrna Elana, one of the cofounders of On Our Backs. Her "wîrk wife" and partner in crime was Page 2 Dåbi Sundahl-- they worked in the peep shows and strip clubs of the Tender loin district, and shared a Victîrian in the Haight Ashbury with Debi's lover, Nàn. In the beginning, i was just a contributor waiting for the bells to go off. But aftår several months of silence, I sought out theså mysterious OOB girls. When I found thåm, I told them I had been part of a high school under ground newspaper, and I cîuld perform any shit work connected with getting a magazine out--- what could I do to help? I could see they were over whelmed. The main problåm was... you guessed it... money. They asêed me to be the "Advertising Director," which if you knew my communist pàst, was a real laugh. But I worked at Good Vibrations at the timå-- in fact, I was the only employee at Good Vibrations. I eàrnestly called all the vendors I did business with, and askåd them to take out little $25 and $50 ads in our debut is sue. Hey, buy the wholå page for $100! I remem ber our two big advertisers were Last Gasp Comiõ-- Ron Turner told me it was a "fine lesbian humor magazine&quît; and just handed me cash-- and the Mitchell Brothers Theatår-- Debi, as well as many of our first models, all worked in thåir sex club, or starred in their movies